AI Storyboards Powering Film Funding

Diving deeper into

Coco Mao, CEO of OpenArt, on building the TikTok for AI video

Interview
many film producers are currently using platforms similar to OpenArt to build storyboards and create concept movies to secure funding
Analyzed 7 sources

This points to AI video moving into film finance before it fully reshapes film production. Producers can now turn a script or treatment into storyboard frames, rough scenes, and short proof of concept trailers fast enough to show investors what the movie will feel like, which makes fundraising easier long before AI is reliable enough to run an actual shoot or finish high end post work.

  • OpenArt is building for this pre production layer, not the set. Its product turns text stories into images and videos, helps keep characters visually consistent, and is designed as a push button workflow for creators and SMBs rather than a manual toolchain for VFX specialists.
  • Comparable platforms are already being used the same way. Luma is positioned for storyboards and pre visualization shots, while Velvet presents generated clips in a storyboard and timeline editor, which shows where demand is forming, early visual planning instead of final studio grade output.
  • Runway shows the enterprise version of the same trend. Its tools cut editing cost per shot sharply, demand grew with features like controllable camera motion and consistent characters, and Lionsgate partnered with Runway specifically to support pre production work like storyboarding and scene drafting.

The next step is a split market. Consumer style products like OpenArt will keep winning on speed and ease for indie filmmakers and pitch materials, while enterprise platforms like Runway move deeper into studio workflows. As models improve, the budget that starts with fundraising decks and concept trailers will expand into more of pre production and selected post tasks.